松田龙平、野田洋次郎将主演[泣き虫しょったんの奇跡]。影片改编自棋士濑川晶司五段的同名自传小说，讲述上班族濑川(松田饰)挑战成为职业棋手的故事，野田出演男主角的好友。本片由丰田利晃执导，这也是他与松田龙平自[蓝色青春]、[逃狱9人组]等影片后再度合作。影片2018年日本上映。

　　

　　女主角是患有“被迫失眠症”的公主，由于常年熬夜身体不好，昼伏夜出的她只能靠着市面上的言情小说打发后宫的寂寥时光；男主角是战场上九死一生的命硬将军，看似腹黑阴冷，实则重情重义。

　　南光太郎和秋月信彦在一个日食的日子出生、并且以兄弟的身份被扶养长大。信彦的父亲，秋月总一郎是秘密组织戈鲁戈姆的成员之一。在光太郎和信彦19岁生日那天，两人被这个秘密组织捉去改造成为戈鲁戈姆的支配者·创世王的候补者·世纪王。世纪王·黑日必须和世纪王·影月进行赌上性命的战斗，胜者就可以成为新一任的世纪王。但是被改造成为黑日的光太郎在秋月总一郎的帮助下，成功在脑改造手术前逃脱出来。此后光太郎成为假面骑士Black，为了保护日本，救出信彦而与戈鲁戈姆对抗。但是信彦却在被救出之前就变成世纪王·影月，于是光太郎不得不与他唯一的亲友信彦进行宿命的战斗。

　　为了写作，哲学老师玛丽昂（吉娜·罗兰兹 Gena Rowlands 饰）租了一间工作室。某日，正在专心工作的玛丽昂听到排风口里传来了谈话声，原来，隔壁是一个心理诊所，鬼使神差之下，玛丽昂开始偷听起了患者对医生的倾诉。患者是名叫霍普（米亚·法罗 Mia Farrow 饰）的女子，通过霍普的倾诉，玛丽昂陷入了深深的沉思。　　在众人眼里，玛丽昂是一个事业有成婚姻幸福的成功女人，但日日压抑在心中的究竟是怎样的情感和念想，这只有她自己才知道。霍普的痛苦倾诉勾起了她审视自身的欲望，而和旧时好友的重逢让玛丽昂越发觉得富足的生活早已千疮百孔。是将错就错还是重新来过？站在五十岁的人生交叉口，迷惘的玛丽昂不知该如何选择。

　　《女人行》讲的就是都市的男欢女爱，但它讲的犀利，一点也不假装，它讲得透彻，一点也不牵强。红尘滚滚，真情难觅，那种刻骨铭心的感觉不是爱，而是无法排遣孤独。　　《女人行》叙事结构很独特。全剧由四个女人为主要贯穿人物，她们之间是无话不谈的好朋友。其中又有与之相搭配的男人为辅助人物，每一集都表现一个主题，又有单集的主要人物。其中一个作为叙述者，承担全剧的叙述结构功能。故事中的人物招之即来，挥之即去，快进快出，灵活自由。四个主要人物之的交往和各自的情感故事贯穿全剧。由她们引领全剧，同时每集又有各自独立的其他人物故事出现，通过叙述者交织成网络状。全部从结构上采用单元式。即每单一集讲一个相对独立的主题故事；40个主题故事讲述的是四个女人的情感历程；四个女人讲故事的方式是通过其中一个女人述：四个单身女郎在城市里寻找爱情的故事。 《女人行》风格很另类。《女人行》参照韩国偶像剧风格，同时借鉴广告和MTV的镜头运用和照明手段，充分展示都市新新人类们的生活环境、职业环境、生活方式和人际交往特点。无论从人物的造型、服装、工作环境、居家环境、生活用品、居家用品到吃的东西，喝的咖啡等等，无处不透露着引领时尚的气息。也因此它将吸引20至45岁的城市职业女性及18岁以上向往城市生活的女性打工族。 《女人行》的台词很智慧。四个白领女性，个个聪慧机灵，动真之时，伤感之处，吐露心声自然妙语如珠。看着她们的神情，听着她的剖析，你会心有戚戚焉，也会痛快朗声大笑。因为《女人行》，观众将都市言情剧有一个全新的认识。

　　幻法双子星的主角是孖生姐妹松永美香和友美,两姐妹同时拥有超能力,而故事也是围绕这两姐 妹所发生的事情,包括美香和仓茂师兄的恋情、友美和野由友情变成爱情、影浦进一郎对两姐妹的调查 ...

　　一夫和一美本是青梅竹馬的朋友，如今移居外地多年的一美回到故里成為轉校生，一段兩小無猜的感情眼看就要發生。只是神秘的事件讓一切都改變了，兩人正在發育的身體掉包，面對的身心困惑更是加倍。本來是一部性教育意味濃厚的兒童文學作品，搬上銀幕後變成了一部淡淡的青春物語。沒有故弄玄虛 的賣性別的差異，反而有種說不出的鄉愁。大林宣彥「尾道三部曲」的首作，拍廣告起家的導演十五歲那年在這裏旁觀《東京物語》的拍攝，難怪片中穿插的黑白畫面十分眼熟。（夏日國際電影節）

　　武天祥化名mark，成为举世瞩目的画家。被协助承办画展的上官冰儿一见钟情。可武天祥却冷漠淡然，直到认识了上官冰儿的姐姐上官雪儿，武天祥心里竟说不出的惊讶。原来武天祥与上官雪儿原是恋人，而上官雪儿却在回国的途中遭遇车祸，醒来后全然忘记了武天祥。武天祥曾经苦苦寻找过上官雪儿，却被上官冰儿误以为武天祥是造成姐姐车祸的罪魁祸首，根本不让武天祥靠近。武天祥不知内情，只当雪儿变了心，要跟元昊在一起。武天祥和雪儿究竟能否再续前缘呢……

　　Rick Stone is the world's biggest action star but unfortunately, he is also the prime suspect in his wife's death. He must enlist the help of a conniving tabloid reporter named Dana Fields and the trust of his mistress Stephanie to try and clear his name.

　　

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb:　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 10/10　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10