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蘑菇影视

霹雳侠影之轰霆剑海录
台湾其它2014
  風雲迴天,論劍海外驚濤浪。森獄崛起,閻王令出群龍蕩。  一劍驚神,惋紅曲下離人殤。白蓮再出,名劍銀驃破魔障。  霹靂俠影之轟霆劍海錄  神州動盪,武林危難,森獄大舉入侵,逆海崇帆滅亡,黑海森獄崛起,玄囂太子領導眾多強將,一舉攻陷武林。同為皇儲,玄滅太子也伺機而出,與玄囂一爭苦境版圖,要將森獄版圖擴張至苦境,完成個人霸業,以便未來繼承閻王之位。  道門六傑挺身而出,倦收天與銀驃當家等攜手抵抗,唯慕崢嶸私心自用,導致無辜傷亡,最終遭受制裁惡有惡報。而玄滅也在過程中敗亡,留下玄囂太子,延續葬天關魔城擴張的計畫,最終對上倦收天與銀驃當家。  森獄潛伏的勢力崛起,大太子玄臏協同蛻變黑后,兩人暗中關注著玄囂太子的一切行為,伺機而作。而一生執著於劍道的玄同,也因為論劍海的評劍會,踏入苦境,追尋屬於自己的劍道。究竟是誰的劍?能給予惋紅曲追尋的答案。而在此時,睽違已久的清香白蓮素還真再現塵寰,也開啟了新的篇章。  大宗師、一色秋、地擘三人的聯合,機裡藏機,變外生變。地擘得知大宗師本無意救活杜舞雩,只是反向利用地擘。由此埋下殺機,聯合一色秋,趁著大宗師針對山龍隱秀之餘,佈下殺計,聯合一色秋,兩人一同針對大宗師。  神秘華麗的冥獄珈羅殿,充滿著莊嚴又陰沉的氣氛,一名王者,周圍八面華鏡,映照出森獄霸主的英姿。閻王的等待,神思的秘密,將會對未來開啟怎樣的變化?欲知一連串精彩結果,敬請期待強檔大戲,霹靂俠影之轟霆劍海錄。

蘑菇影视

工人,农民
法国其它2001
  "Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide  "The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport  both in their professional and daily lives  between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.  The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson  "my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum

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