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战神金刚:传奇的保护神第四季
美国英语2017
  《新战神金刚:传奇的守护者》是美国梦工厂公司、World Events Productions公司推出,Studio Mir公司制作的一部美国系列网络电视动画。是日本二十世纪福克斯在1980年代推出的《战神金刚》系列动画的重置版本。  本剧所有角色均源自原版《战神金刚》,人物及背景是二维动画绘制,战斗部分运用CGI三维特效技术。  Four Earth teens - Keith, Lance, Hunk, Pidge and their mentor Shiro - who become the last line of defense for the galaxy in an intergalactic battle against the evil alien force led by King Zarkon.  千年以来,邪恶的格拉帝国(Galra Empire)对其他星球的征服和毁灭使得整个宇宙深受其害。唯一能威胁并阻止帝国的只有由5个狮型机器人组成的100多米高的机器人战士——被称为“宇宙保护神”的战神金刚(Voltron),他们驾驶员则被称为圣骑士(Paladins)。在阿尔特亚星球被格拉帝国毁灭的前夕,战神金刚被阿尔特亚星球国王阿佛尔分开,以阻止战神金刚落入格拉帝国国王扎肯手中。阿佛尔国王将五狮与女儿阿劳拉的生命之力连接到一起,并将其送到了宇宙的其他位置等待着下一代圣骑士的降临。阿劳拉公主,她的侍从克兰,以及藏着黑狮的阿尔特亚城堡藏匿在阿鲁斯星球上。目前,格拉帝国的征服和寻找战神金刚之路引导着他们向地球所在的太阳系袭来。一队宇宙飞行员:希罗,吉斯,兰斯,皮吉,汉克,发现了蓝狮,并立刻被卷入了格拉人的战争之中。他们见到了阿劳拉公主,称为了新的圣骑士,同时还重新将五狮组成了战神金刚来与扎肯战斗。最终,他们阻止了扎肯的计划,击败了整个格拉帝国。

蘑菇影视

山姆·克莱默克的时间机器
其它英语2015
  Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.  ‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.  Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.  Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.

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