暗杀教室第一季搜索结果

蘑菇影视

黑暗空间
大陆国语2017
  影片主要讲述,在一个地下停车场,两个蒙面男人抓住了一个年轻漂亮的女子——肖筱,亿万富翁的女儿。他们绑架了她到了一处废弃的房子。这两个绑匪——冷酷无情的何洪森和心存善念的严杰,策划着这个小心谨慎的犯罪计划。但两人都明白,即使肖父按约定交出赎金,两人中更为强势的何洪森也必然会选择撕票,因为他与肖父存在旧仇。  一切按计划进行,两位绑匪在人质面前也永不露真面目。但一心想逃生的肖筱无意中拆穿了严杰的真实身份,严杰摘下面具,竟是肖筱的男朋友,愧疚的严杰说出了他自己暗藏的另一个计划—拿到赎金带着肖筱远走高飞。但若是这个计划暴露,他与肖筱都将面临生命危险,肖筱只好配合严杰演着这出戏。  强势的何洪森渐渐发现了事情朝着不对劲的方向发展,他一方面注意着严杰的动向,一方面还得与警方周旋。在一次转移绑架地点的过程中,凶狠的何洪森逼使肖筱说出了那个被暗藏的另一个计划。何洪森终于发现了严杰的背叛,何洪森开始制定了另一个计划,杀害严杰。两兄弟反目成仇,互相残杀,肖筱在他们俩之间成为了一个挑拨离间者,生命时刻受到着威胁。  警方的张队长从一开始就收集与肖父收集着各种证据,两方一直处在侦查和反侦察的对峙当中,终于在最后找到了绑架地点,成功解救了肖筱,并抓获了两名绑匪。但这三人,最重要的东西在这次事件中都已经失去了。

蘑菇影视

丹麦小村教堂
其它其它1947
  The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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