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犯罪心理第四季
美国英语2008
  隶属FBI的犯罪行为分析小组(BAU)这个由七名精英高级探员组成的团队,继续辗转全国各地,为真实案例提供出色的罪犯心理侧写和犯罪行为分析。  严谨精干的主管Aaron Hotchner为了继续追查连环杀手,选择了留在BAU,妻子因此与他离婚并带走了六岁的儿子。资深高级探员David Rossi在退休十余年后带着心结自愿回来加入BAU,渐渐习惯BAU的新模式,融入这个团队。自信幽默的Derek Morgan是犯罪重现专家,打击罪犯时决不手软,在组里却是活跃气氛的调节剂.“天才”是对Dr. Spencer Reid最简练的诠释,他记忆力超强,是一本活的案例书。羞涩而坚强的他几经考验,终于渐渐走出毒瘾的阴影。负责公关的Jennifer Jareau(JJ)也开始学习掌握侧写知识。工作繁忙的她一直低调地与警探William维系着“异地恋”并怀上了孩子,正面临工作的新调整。入组一年的Emily Prentiss,作风硬朗却亲和力十足。作为大使的女儿,她通晓阿拉伯语、西班牙语和俄语,加上丰富的办案经验和极强的观察力,已完全得到大家的认可.技术分析员Penelope Garcia是BAU不可或缺的活跃元素和技术支持,在鬼门关前走了一遭的她在康复后收获了爱情。  上季末,BAU面临一个事发于纽约的棘手案件。作案风格完全不同的不明嫌犯在街头随机枪杀行人,案发地点也不符合常规侧写……在那辆载着BAU某成员的SUV车爆炸后,第四季将如何揭开这个悬念,剩下的成员将如何拯救他们珍惜的同事,继续追查打击此次蓄意恐怖袭击的幕后凶手,新一季将于9月24日继续牵动《犯罪心理》观众的神经。

蘑菇影视

痴心女子负心郎
美国英语1948
  Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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