In the aftermath of Catherine's suicide, Detective John Cardinal outwardly accepts the evidence that she took her own life, but when he starts to receive taunting greeting cards blaming him for her death, he begins to question the suicide.

　　该片故事讲述萨曼莎(瓦伦蒂娜·贝莱饰)在上学途中被一只巨型兔子绑架。15年后，在医院的她很震惊她还活着。格林博士在她身旁，试图帮助她回忆。在萨曼莎的回忆中，她被困在一个地下监狱，在那里有人强迫她玩游戏、解谜语和谜题，还有奖罚机制。同时一位命不久矣的天才前调查员也在调查这桩神秘事件。

　　Aspiring actress, Kia Anderson, is about to learn that the final callback for a horror Feature Film is something more than she could ever of imagined - Something sinister is awaiting for Kia.

　　When Edward’s search for his birth family takes him and his girlfriend Ryley to a magnificent villa high in the mountains of northern Portugal, he is excited to meet his long-lost mum and twin brother. Finally, he’ll be able to find out who he is and where he comes from. But nothing is as it seems, and Edward soon discovers that he is bound to them by a monstrous secret. First foray into horror by one of the surest assets of Portuguese cinema.　　After the visual delirium of “Diamantino” that won him the Critics’ Week prize at Cannes, Gabriel Abrantes surprises with a more classic horror film around the mystery of family origins, but also following the Portuguese canon of country vs. city. Carloto Cotta in a double performance, Alba Baptista and Anabela Moreira in very challenging roles.

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　夏洛特（夏洛特·甘斯布 Charlotte Gainsbourg 饰）是一个13岁的叛逆少女，对于她来说，生活充满了不幸，同伴们都是不可救药的傻瓜而父母则是不通情理的无聊大人，总体上来说一切都是如此的乏善可陈，除了那个叫露露（Julie Glenn 饰）的总围着自己打转的傻姑娘和那个年长英俊的水手。　　当克拉拉（Clothilde Baudon 饰）出现在夏洛特面前的时候，她简直不敢相信自己的眼睛，原来这个世界上是可以有如此美丽、如此优雅、如此才华横溢的天使存在的，更重要的是，克拉拉的父母非常有钱，克拉拉成为了夏洛特通往幻想世界的跳板。在千方百计获得了到克拉拉宅邸做客的机会后，夏洛特对于自己的光辉未来的幻想就从未停歇，可是现实并不如幻想般美好，很快，一盆冷水将彻底浇灭夏洛特那不切实际的幻想。

　　一种类似狂犬病的疾病在全球传播开来，将感染者变成极具攻击性的生物。马内尔带着他的猫躲在家中，凭借他的智慧生存下来。很快，他们将不得不外出觅食，寻找陆地和海上的安全之所。《天启Z：完结的起点》是一个身体和情感上的生存故事，伴随着刺激的打斗、紧张的气氛、疯狂的感染......以及一只脾气暴躁的猫。

　　在洛杉矶地区的深夜，一连串凶杀案件引发了恐慌。尽管警方投入了大量警力，但仍未能取得任何进展。然而，一个偶然的机会改变了一切。约翰（詹姆斯·斯派德 James Spader 饰），一名医学院的学生，发现了他的孪生哥哥的前妻遭到谋杀，约翰怀疑杀人凶手就是为她实施过堕胎手术的诊所医生杰克（Rex Ryon 饰）。　　杰克极力为自己辩护，但约翰并未完全相信他的话。此时，约翰的哥哥瑞克（詹姆斯·斯派德 James Spader 饰）突然产生了一种强烈的心灵感应，感应到了弟弟被害的消息。瑞克决定不顾一切开始追查真凶。他找到了约翰生前的好友克莉丝（辛西亚·吉布 Cynthia Gibb 饰），她也加入了这场危险的调查行动之中。

　　Genuine but increasingly insecure Pete is cautiously excited about reuniting with his college crew for a birthday weekend of memories, partying and earnest reconnection at a picturesque English manor.

　　Millers in Marriage follows Eve Miller, the former lead singer-songwriter of an indie rock band, who finds herself drawn to a music journalist amid a toxic marriage. Meanwhile, Eve’s sister Maggie, a bestselling author, is encountering challenges in her marriage of 30 years as her career surpasses her husband’s. At the same time, Renee, a recently divorced successful fashion executive, is navigating a budding relationship with Andy Miller, an artist who is juggling his feelings for Renee and his recently separated wife Tina, Renee’s former colleague.

　　At 38, Thomas is at a crossroads in his life. His parents are nonstop guilt-inducers, his ex-wife is always on his back, and his son is far from inspirational. Thomas himself is almost too intellectual to survive daily life. The attentions of a straightforward English teacher seem to be a way out.

　　具争议性和开创性的喜剧演员伦尼布鲁斯的传记电影，全片追溯伦尼布鲁斯反政府的政治观点。全片以倒叙的手法，分别从母亲、妻子和经纪人的角度出发讲叙了喜剧演员伦尼布鲁斯的一生。　　在伦尼布鲁斯早年还未出名之际，那时他只是个普普通通的喜剧演员，他遇到了跳脱衣舞的哈妮，并爱上了她。不顾经纪人阿蒂和母亲的反对，伦尼坚持同哈妮举行了婚礼，并与老闆发生争执，因为他坚持要按照自己的个人风格进行表演，老闆一怒之下将他解雇。这时，哈妮受伤住进了医院，伦尼在探病期间同一个护士关係暧昧，对此有所察觉的哈妮同伦尼吵闹了一番。后来，他们搬到了加尼福尼亚。虽然伦尼极力反对，哈妮还是重操旧业，当起了脱衣舞女。　　伦尼沉迷于吸毒不能自拔，哈妮生下了一个孩子，夫妻间常为吸毒的事而爆发激烈的争吵。有了孩子的第二年，他们分手了。因有贩卖毒品的嫌疑，哈妮被捕入狱。伦尼此时却因发挥出自己的喜剧天才获得观众认可，在事业上有了突破，成为红极一时的明星，但知名度却并未改善伦尼的境遇......