入围2020年威尼斯电影节影评人周单元　　A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a war in his country. He doesn’t want to, but he has to fight. He is old and tired of war. He wants to be at the table with a steaming pot of tasty mutton ribs and stare at an innocent TV screen with the news on, and the dressed-up news reporter announces that the war has begun.

　　都市伝説関連のネタをオムニバス形式で実写化した作品。　　収録数２４本、１本約２分～３分のショートストーリーなのでつまらないエピソードでもすぐに終わるのが救いですねｗ　　ちなみにイントロで”この世から都市伝説が消えそうになった時に現れるという「潟裏弥（かたりや）」が語る”なんて意味深な文言が踊ってますが、本編でのナレーションを務めるだけで深い意味はありませんｗ　　都市伝説ネタもしくはそれにまつわるような話って、殆どメディアで目にした使い古されたネタばっかりで新鮮さに欠けるのが難ですね。　　画的にも「おっ！」と思わせてくれる映像を見つけ出そうとしても・・・ｗ　　まぁ、この手の作品に過度な期待はご法度ｗですので、私的には想定通りの内容でした。　　１．【デスタウン】　　現世と死後の世界の中間に存在するデスタウンに迷い込んだ若い女性が遭遇する不条理な出来事。　　２．【赤い部屋】　　”赤い部屋”と書かれたHPにアクセスすると向こう側から赤い眼をした女性に覗かれると云う都市伝説。　　男性が興味本位でアクセスすると・・・。　　３．【輪廻転生】　　醜い顔の赤ん坊を海に沈めた夫婦にその後起きる恐怖譚。　　４．【隙間女】　　引っ越しを終え惰眠をむさぼっていると、以前の住人が残した箪笥と壁の隙間から奇怪な音に気付き、隙間を覗くと・・・。　　５．【笑う自殺者】　　ビルの屋上から町の風景をカメラに収める若い男性に、思いを寄せる女性の霊が引き起こす不条理な出来事。　　６．【呪われた赤い糸】　　運命で繋がれた赤い糸を自ら絶ち切った若い男性に訪れる悪夢。　　７．【黒い手】　　1週間黒い手を持ち続けると願いが叶うと云う都市伝説にまつわる恐怖譚。　　８．【ヒキコさん】　　苛めを受けた復讐のため人形を引き摺るヒキコさんの黒ヒキコさんヴァージョン。　　９．【青い指輪】　　廃墟探訪の際見つけた青い指輪を持ち帰る若いカップル。　　自宅で撮影したビデオを再生すると・・・。　　１０．【ゲシュタルト崩壊】　　鏡の自分に向い「お前は誰だ？」と繰り返すうちに本当に自分が何者かが分からなくなると云う、かつてナチスがユダヤ人に行った恐怖の人格崩壊実験を興味本位で行った女子学生は・・・。　　１１．【心霊物件】　　3人の女性の幽霊が棲みつくいわくつき物件に引っ越してきた男性。　　視える体質の彼は何も話しかけてこない幽霊とコンタクトを取ろうとコックリさんを始めるが・・・。　　１２．【フジツボ】　　海水浴で怪我をした男性の体内に大量のフジツボが繁殖していたと云う都市伝説にまつわる怪奇譚。　　１３．【赤い女】　　夜の街で赤い女に出会うと要注意と云う都市伝説。　　１４．【夢の売買】　　悪夢を見た人間がある手順を踏むとその災いを人に引き渡せると云う都市伝説。　　１５．【回収係／絶望のテープ】　　都市伝説の宝庫と云われる警察回収係が見せてくれた不気味な内容のテープとは？　　１６．【予測変換】　　メールで頭文字を打つと何種類かの言葉が表示される便利な予測変換機能に今まで使ったことが無い言葉が表示されると・・・。　　１７．【くねくね】　　かかしと目を合わせてはいけないと云う都市伝説。　　とあるカップルの女性がリアル過ぎるかかしを見つけ側まで行く姿をカメラに収めようとした男性がレンズ越しにかかしを見ると・・・。　　１８．【寝言】　　母娘が乗る車を後続車が危険な追い越後なぜか蛇行運転の末突然路傍へ急停車する車。　　母親が駆け付けドアを開けるとあらぬ方向を見つめ不気味に笑うカップルの異様な姿が。　　１９．【０９０－４４４４－４４４４】　　霊界に繋がると云う呪いの電話番号。　　ある夜、自室へ遊びに来た友人がその番号へ興味本位で電話を掛けると・・・。　　２０．【明日死ぬサイト】明日死ぬサイト　　明日死ぬ人間を予言する幻のサイト。　　そのサイトへアクセスした女性とそのチャット仲間が見つけた恐ろしい書き込みとは？　　２１．【四つんばいの女】　　四つんばいの女性と偶然出会ってしまったら逃げるしか方法が無いと云う都市伝説。　　２２．【フライング・ヒューマノイド】　　海外で頻繁に目撃されている”空飛ぶ人間”。　　2人の男性が偶然街中で空飛ぶ人間を見つけ、地上に落ちたと思われるポイントに駆け付けると・・・。　　２３・【星を見る少女】　　窓際で星を眺める女性には注意が必要と云う都市伝説の続きの物語。　　２４．【霊感があるか分かる方法】　　このテストを行うと、同時に霊に自分の存在を知らしめてしまう事にもなる恐ろしいテスト。　　興味本位でテストを行った女子高生の身に何が起こるのか？

　　十三歲該是天真爛漫的年紀，然而她卻跟著毒蟲老爸和酒鬼老媽四處流浪，初長的胸部、初萌的暗戀，她只想找到一個可以停駐的家，早熟的雙眼宛如未琢磨的鑽石，依舊蘊含光芒。攝影機自然貼近女孩的渴望與寂寞，走入底層生活的核心，媲美肯洛區《甜蜜十六歲》的溫柔觀照，令人心折。《愛無止盡》性格男星畢羅尤雷也有精彩的演出。

　　穆蓉的傻丈夫景天被警察认定为鱼肠胡同血案的凶手而被捕，尽管穆蓉哭天抹泪的跟警察解释，景天平日里见到老鼠都怕得要死，不可能是杀人犯，然而警察们还是不由分说的带走了景天。景天糊里糊涂的被关进了审讯室，警察局里的人近日来都忙着去调查城中最大的钱庄德阳号被洗劫的案子，没人愿意跟一个傻子多费口舌。于是在几个警察的连吓唬再哄骗之下，景天很快承认了自己就是杀害那名女子的凶手。向警察解释没有用，穆蓉决定用自己的方式去帮丈夫洗清冤屈……

　　元气少女夏央央遭遇未婚夫出轨同父异母的妹妹，决绝分手后却与霸总顾祁琛误打误撞领了结婚证，担心自己遭遇杀猪盘的夏央央，却被顾祁琛宠上天了，两人在甜蜜的相处中日渐升温，然而一切的美好，却在顾祁琛的白月光回国后戛然而止，敢爱敢恨的夏央央，深情内敛的顾祁琛，两人的感情何去何从？

本季《未来中国》以“生成式AI创新应用”为主题，将展演项目、讨论核心聚焦于AI技术。邀请清华大学、上海交通大学等多个专业高校团队，以及大量顶尖的科创企业，在项目比拼中展现当下中国最前沿的AI科创成果。

　　恐怖類真人CG轉描動畫

　　怀揣梦想的美食达人祁剑，冒冒失失的走进本市有着悠久历史的美食一条街“雕花夜市”。开启了自己的“美食奇遇记”……在这里他结识了“雕花夜市”的“四大家族”：视为水火的烧烤派两大分支——工业赛博风的“铁签派”与竹签七贤之首的“竹签派”、纯手工以力量制胜的“饼帮”、各色风情的旗 袍美女组成的“海鲜坊”以及全产业链体系化管理的“望鸡楼”——由鸡架教父杜 sir 帯领。　　因为齐健的到来，让本来松散，各顾各的夜市，团结了起来。通过他们将老百姓喜好的，所谓的“暗黑料理”发扬光大，打造成最具烟火气息的饕餮盛宴。

　　目隐都市的演绎者》是《阳炎project》动画化《MekakuCity Actors》的中文名称，于2014年4月12日播出的日本新番动画。 《阳炎project》（日语：カゲロウプロジェクト）是由音乐创作者、小说家jin（じん，自然之敌P）于2011年开始发表的多媒体项目创作。最早开始发表的是使用歌声合成技术VOCALOID技术制作的音乐，乐曲的主要风格是合成器摇滚，也制作类似于抒情曲的作品，经常会被打上"惊异的中毒性"的标签。每首曲子都讲述着一个故事，而每个故事都属于一个世界观，彼此间都有联系。故事，而每个故事都属于一个世界观，彼此间都有联系。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　In the summer of ’76, as President Jimmy Carter pledges to give government back to the people, tensions run high in a working-class Philadelphia neighborhood where the Black Panthers once flourished. When Marcus returns—having bolted years earlier—his homecoming isn’t exactly met with fanfare. His former movement brothers blame him for an unspeakable betrayal. Only his best friend’s widow, Patricia, appreciates Marcus’s predicament, which both unites and paralyzes them. As Patricia’s daughter compels the two comrades to confront their past, history repeats itself in dangerous ways.　　Night Catches Us masterfully reckons with the complexity of its characters’ revolutionary ideologies and internal desires. Bell-bottoms, Afros, potlucks, and Caddies set the scene as the film potently interweaves political media with an evocative soul-inspired score, summoning a vivid sense of place and time. The golden light that bathes characters’ faces seems to express the promise—and elusiveness—of the necessary change Marcus and Patricia struggle for so dearly—each by separate means.

比尔（布鲁斯·威利斯 Bruce Willis 饰）是一名心理医生，这个特殊的职业让他接触过许多精神抑郁生活压抑的病人，他们的压力在无形之中也转嫁到了比尔的身上，终于，当病人蜜雪儿（Kathleen Wilhoite 饰）在比尔眼前坠楼身亡后，比尔意识到，休息的时间到了。　　沮丧的比尔决定去找老友鲍勃（斯科特·巴库拉 Scott Bakula 饰）叙叙旧，不幸的是，在两人见面后没多久，鲍勃便被某个凶徒残忍的谋杀了，丝状可怖。为了查明老友死亡的真相，比尔展开了缜密的调查，在此过程中，一个名叫罗丝（珍·玛奇 Jane March 饰）的神秘女子浮出了水面，然而比尔不知道的是，当他逐步接近真相的同时，危险也在接近着他。…