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盲目的丈夫们
美国英语1919
  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

蘑菇影视

长沙里:被遗忘的英雄们
韩国韩语2019
  根据韩战期间真实战事改编。1950年6月25日,北韩挥军越过三八线突袭南韩,三日攻陷汉城(今首尔),战线不断南进。在美军及联合国军支援下,南韩军逆势反击。美军指挥官麦克亚瑟提出代号为「铁铬行动」的仁川登陆计划,该计划急需一支大队的兵力从侧翼阻击扰敌、声东击西,通过长沙里切断北韩军的补给线。  由于任务本身极其艰钜,加上南韩国军当时兵力薄弱,无法抽调足够正规军支援,军方不得不把这项任务交付给772名学生兵执行,这些学生兵平均年龄只有17岁,仅仅接受了两星期的军事训练,在毫无实战经验的情况下投身战场。行军路上固然杀机重重,战友内部也诸多衝突,年少气盛,迸发出各种角力。  仁川登陆战前夕,长沙里登陆任务如期执行,这群徒有一腔热血但战力薄弱的学生们,无可避免地接受命运中最残酷的考验:穿越炮火与海浪,浴血长滩,馀下部队身陷敌军重重围剿,直至弹尽粮绝,挣扎于阵亡与倖存的分界线上…  Based on the incredible true story of Jangsari Landing Operation. When North Korea invades South Korea on June 25, 1950, they pushed South Korea and its ally US Army to the southernmost city. U.S. General MacArthur planned Operation Chromite, which would see the joint allied forces to take back a strategic location of Inchon and in order for it to succeed, he needed a small battalion to flank the North Korean army and eliminate their supply line at Jangsari beach.  Having lost his family on his retreat away from North Korea before the War, a model student Choi Sung-pil enlists in the army to fight for the South. Ki Ha-ryun is a rebellious youth from the South who volunteers to fight in the war. All of the 772 students and youths are like them who are barely out of school with only 2 weeks of boot camp training. Task force commander Captain Lee Myung-jun knows that it’s a long shot, but he has no choice but to lead them into a crucial mission. Meanwhile, US war correspondent Maggie braves the dangers of the battlefield to report on the war in the frontlines. She feels empathy for the Korean students who must go into battle on behalf of the veteran soldiers for their country, and tries to do what she can on her end to rescue them.  With little ammo, scant food supplies and raggedy weapons, can the students successfully carry out their mission and return home safely?

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