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蘑菇影视

不安
其它其它1954
  Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

蘑菇影视

蓝水-天堂梦魇
其它其它2015
  圣诞节的家庭聚会上,年轻情侣斯特凡和海科向父母宣布他们购买了一艘船,决定环游世界。他们一路欢声笑语,领略各地风光。然而当他们来到玻里尼西亚后,美好的一切戛然而止。斯特凡跟随一位名叫阿里哈诺的当地男人狩猎未归。海科从阿里哈诺口中得知爱人受伤,匆忙随他前去,结果险些被他奸杀。逃出生天的海科求助警方寻找斯特凡。警方在多日调查后发现斯特凡已被肢解后焚烧,而阿里哈诺不见踪迹。看到爱人已被烧成一片灰烬的海科心痛不已,决定不再继续航行。刚刚回到家中的她便被铺天盖地的记者包围,众人都希望获悉斯特凡死亡真相。在母亲和姐姐的陪伴下,海科试着抚平心中的创伤,并且决定接受汉堡新闻记者哈特曼的采访道出真相。这时,玻里尼西亚的警官也为海科带来好消息,阿里哈诺被捕。在哈特曼的陪同下,海科见到了沉默不语也拒不认罪的阿里哈诺。但证据确凿,哈里哈诺被判28年有期徒刑。阿里哈诺的父亲为表歉意,邀请海科参加专门为斯特凡举行的告别仪式。海科决定暂时留在玻里尼西亚缅怀爱人。后来,她带着自己写下的书《蓝水-天堂梦魇》回到德国。@m.yakutv.cc

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